Advent: Of the Father’s Love Begotten
Coty Pinckney “Jesus is born!”
Every December we raise our voices in song proclaiming this event. We sing together carols written in the last few centuries; we rightly compose and sing new songs of praise.
But what songs did our brothers and sisters in Christ sing 1500 years ago?
In his introduction to a 1946 translation of Athanasius’ On the Incarnation of the Word of God, C.S. Lewis writes:
Every age has its own outlook. It is specially good at seeing certain truths and specially liable to make certain mistakes. We all, therefore, need the books that will correct the characteristic mistakes of our own period. And that means the old books.
As with books, so with carols. We do well to interact with hymn texts not only from our century, not only from the previous three centuries, but also from the early years of the church. Such texts may state biblical truths in a different form from what we are used to; they may emphasize truths that we ignore; they may err in ways that are obvious to us – and so remind us that we most likely err in ways that would be obvious to believers of that era.
In our Advent services this year we have sung a carol written in Greek in the fourth century, “Let All Mortal Flesh Keep Silence.” Here is another text of that era that is well worth your contemplation: “Of the Father’s Love Begotten,” written by the poet Aurelius Prudentius and translated in the 19th century by John Mason Neale and Henry Baker. Emphasizing the eternal nature of God’s plan of redemption through His Son, each verse ends with the line, “Evermore and evermore” (saeculorum saeculis in Latin). Let’s consider the nine verses one by one, highlighting how each spurs our praise.
Stanza 1:
Of the Father’s love begotten,
Ere the worlds began to be,
He is Alpha and Omega,
He the source, the ending He,
Of the things that are, that have been,
And that future years shall see,
Evermore and evermore!
The second person of the Trinity is begotten of the Father’s love. While we today do not often speak in those terms, consider that first line in light of Luke 3:22 and John 3:16. The author goes on to call Jesus both the source of all creation and the end for which all exists, including all humanity (Colossians 1:16).
Stanza 2:
At His Word the worlds were framèd;
He commanded; it was done:
Heaven and earth and depths of ocean
In their threefold order one;
All that grows beneath the shining
Of the moon and burning sun,
Evermore and evermore!
He speaks – and, as at the tomb of Lazarus, His word has instant life-giving power. Furthermore, He gives not only life but order, with all parts of creation harmoniously working to praise Him, as pictured in Psalm 104.
Stanza 3:
He is found in human fashion,
Death and sorrow here to know,
That the race of Adam’s children
Doomed by law to endless woe,
May not henceforth die and perish
In the dreadful gulf below,
Evermore and evermore!
The author of life becomes man to know death experientially so that we the redeemed might not face death evermore and evermore! See Hebrews 2:14-15 as well as – once again – John 3:16.
Stanza 4:
O that birth forever blessèd,
When the virgin, full of grace,
By the Holy Ghost conceiving,
Bore the Saviour of our race;
And the Babe, the world’s Redeemer,
First revealed His sacred face,
evermore and evermore!
The birth of Jesus – “conceived by the Holy Spirit, born of the virgin Mary” as stated in the Apostles’ Creed – is both a historical event, indeed, the hinge of history, and the eternal truth through which we must understand and interpret all that we see.
Stanza 5:
O ye heights of heaven adore Him;
Angel hosts, His praises sing;
Powers, dominions, bow before Him,
and extol our God and King!
Let no tongue on earth be silent,
Every voice in concert sing,
Evermore and evermore!
Given what we have seen, all must praise Him – heavens, angels, powers, and all humans. Understand “concert” not as a performance, but rather as every voice perfectly harmonizing with every other. We all must praise “in concert” for Jesus to receive the praise He deserves.
Stanza 6:
This is He Whom seers in old time
Chanted of with one accord;
Whom the voices of the prophets
Promised in their faithful word;
Now He shines, the long expected,
Let creation praise its Lord,
Evermore and evermore!
Just as in the previous stanza we sing His praises differently yet harmoniously, just so the prophets foretold His coming differently yet “with one accord.” The promise to Abraham, the promise to David, the promise “unto you a child is born, unto you a son is given,” the promise “the Lord has laid on Him the iniquity of us all” – each brings out a different facet of the person and work of Jesus, yet all are in accord, and together they describe in significant detail the coming Messiah. And now, says the poet, He shines with glory, as He fulfills all those prophecies.
Stanza 7:
Righteous Judge of souls departed,
Righteous King of them that live,
On the Father’s throne exalted
None in might with Thee may strive;
Who at last in vengeance coming
Sinners from Thy face shalt drive,
Evermore and evermore!
The Creator of all things, the Baby in the manger, the dying Redeemer on the cross, will return as the almighty King and Judge, against Whom no power can stand. He will overwhelm and rightly condemn all who oppose Him. See Revelation 11:15, 19:11-21, and 20:7-10.
Stanza 8:
Thee let old men, Thee let young men,
Thee let boys in chorus sing;
Matrons, virgins, little maidens,
With glad voices answering:
Let their guileless songs re-echo,
And the heart its music bring,
Evermore and evermore!
The poet here expands on Stanza 5: Every person of whatever earthly status has a role to play in praising Jesus from the heart, so that He gets all the glory He deserves. Consider Mark 11:14, John 4:23-24, and Revelation 7:9-12 in this regard.
Stanza 9:
Christ, to Thee with God the Father,
And, O Holy Ghost, to Thee,
Hymn and chant with high thanksgiving,
And unwearied praises be:
Honour, glory, and dominion,
And eternal victory,
Evermore and evermore!
The hymn closes with “unwearied” praise to Father, Son, and Holy Spirit. Why “unwearied”? The four living creatures in Revelation 4:8 “day and night … never cease to say, ‘Holy, holy, holy!’” We too in the eternal state will never weary of worshiping our God in spirit and truth – and thus will fulfill the purpose of our creation, the purpose of our redemption.
Thank you, Father God, for preserving such ancient texts to help us worship You this Christmas season. May the words of our mouths and the meditations of our hearts be pleasing to you this season – then evermore and evermore.
(The Latin text and a second English translation of this hymn are available here. I encourage you to listen to a lovely a cappella recording of five of these verses here.)